Archive for October, 2009

Here’s An Incentive

Pier Voulkos, Neckpiece (detail), c. 1995 (see credits below)
As a reader of this website, you’re familiar with the “Collection Project,” our effort to put polymer art on the map and into the permanent collections of major museums throughout the nation.
In order to ensure publication of the first hardcover museum catalog on the medium, and to [...]

Winters, Bishoff: A Final Look at Sculpting Color

Elise Winters, Red RUFFLE Ruche, 2009
polymer, acrylic
8 x 9 x 1″, promised gift, Newark Museum
My artist’s statement read:
“Concern for color and light has followed me through every phase of my artistic career.

Dustin: A Closer Look at Sculpting Color

Kathleen Dustin, Allium Pod, 2008
3’h x 3’w x 9”d
Polymer clay
Kathleen commented:
“To fulfill it’s educational mission, The Fuller Craft Museum likes to have pieces that people can touch included in their exhibitions, and I allowed them to use my table sculpture, “Allium Pod” for this purpose in the exhibition “Sculpting Color: Works in Polymer Clay”. The [...]

Diffendaffer, Gozonar, McCambly: a Closer Look at Sculpting Color

Grant Diffendaffer, Cosmic Ray, 2009
Polymer clay, poplar, thread, rod, glue
3 x 12 x 6″
Grant wrote about his pieces saying:
These pieces are relics of my engagement with the era of Raygun Gothic design. Come with me as we go back to the future as it was imagined in the first part of the 20th century - [...]

Dustin Speaks About Sculpting Color

Steven Ford & David Forlano, Char, 2002
Wood, polymer clay, magnets, steel, sterling silver,
21.5 x 13 x 5″
The Curator’s Statement for Sculpting Color currently at the Fuller Craft Museum reads:
“Unlike any other materials in fine craft, polymer clay has no ancient history, no millennium as a utilitarian art form, no past masters from which to draw [...]