Archive for the 'Allen' Category
Elise on Dec 05 2008 | Filed under: 1997, Allen, Breen, Kato, Liska, MIPCES Exhibition, Roche, Yamashita
Six remaining artists participated in the MIPCES exhibition. If you are a new visitor to Polymer Art Archive, you can find background about this event in the 2 posts, Past, Present Future and All About MIPCES.
Nan Roche, CUP, 2” x 3” x 2”
Martha on Apr 11 2008 | Filed under: 1997, Allen, Amt, Breen, Dever, Dewey, Dustin, Feiss, Ford, Forlano, Gibson, Grove, Haunani, Hughes, Kato, Liska, MIPCES, MIPCES Exhibition, NPCG, Regan, Roche, Toops, Voulkos, Winters, Zinman
Elise asked me to lead a small team of volunteers to research and write about gatherings that influenced the development of polymer as an art medium. This is the first of these posts and we hope to follow up with more. Special thanks to Nancy Travers who organized all the materials about MIPCES.
Masters’ Invitational Polymer [...]
Kathleen on Mar 25 2008 | Filed under: Allen, Carlson, Dewey, Flower Valley Press, Ford, Forlano, Haunani, Hughes, Millefiore, NPCG, Ornament, Roche, Segal, Shriver, The New Clay, Toops, Torpedo Factory, Voulkos
In 1987, at the Torpedo Factory Art Center in the Washington, D.C. area, I taught my first workshop on polymer bead-making based on the simple techniques I had developed. On the advice of an artist colleague, I submitted a short article to Ornament magazine. Published in 1988, my article was entitled “The Use of Polyform [...]
Elise on Mar 14 2008 | Filed under: 1980's, 1990's, Allen, Breen, Caning, Grove, Millefiore
Are you hooked on Kathleen Dustin’s presentation about the work done by the early polymer bead makers? Then, you’ll want to see even more images by those pioneers. After each of Kathleen’s next few installments, I will provide you with an expanded view of those artists’ early work.
In the gallery that follows you can put [...]
Kathleen on Mar 11 2008 | Filed under: 1980's, Allen, Breen, Grove, Synergy NPCG 2008 Conference, Voulkos
This is Part Three of the speech delivered at Synergy: the 2008 National Polymer Clay Guild Conference held in Baltimore, Maryland in February 2008. The entire speech will be publish in serial form in five parts on Polymer Art Archive .
In 1984, Pier Voulkos conceived of simple millefiore designs based on some limited experience with glass-working in [...]
Kathleen on Feb 29 2008 | Filed under: 1930-70, 1970's, 1980's, Allen, City Zen Cane, Dustin, Ford, Forlano, Grove, Hughes, Product Development, Synergy NPCG 2008 Conference, Toops, Voulkos
This is Part One of the speech delivered at Synergy: the 2008 National Polymer Clay Guild Conference held in Baltimore, Maryland last week. The entire speech will be publish on Polymer Art Archive in serial form.
Polymer clay developed initially for making dolls and puppets but it wasn’t until it was embraced as a bead and [...]
Elise on Dec 22 2007 | Filed under: 1991, 1995, 1996, Allen, Ashcroft, Flower Valley Press, Haunani, Publications, Roche
Many acknowledge Nan Roche and her book, The New Clay, as the source and the early inspiration for the explosion of information about polymer and its growth as a medium for artistry.
But how many realize that this could never have happened without the support and vision of Seymour Bress, founder of Flower Valley Press. In [...]
Lindly on Nov 12 2007 | Filed under: 1990, Allen, Beadazzled, City Zen Cane, Dustin, Grove, Haunani, Ornament, Shriver, Voulkos
I was certainly bedazzled to see the this show at Beadazzled in Washington, DC in 1990. It was the first time I had ever seen the work of Pier Voulkos, Sarah Shriver, Grove & Grove and City Zen Cane in person.
The show was displayed in the back room of the store’s original location on Dupont [...]