Elise on Oct 23 2008 | Filed under: Haunani, Niche Award
Lindly Haunani, Rainbow Lei, 2008, 22″ long
Lindly Haunani’s Rainbow Lei Necklace has been selected as a finalist for the 2009 Niche Awards. Lindly writes about her new work:
Elise on Aug 01 2008 | Filed under: 1997, Haunani, MIPCES Exhibition
If you are a new visitor to Polymer Art Archive, you can find background about this event in the 2 posts, Past, Present Future and All About MIPCES.
SEATTLE CRAZY QUILT
For the MIPCES catalog, Lindly Haunani wrote:
“Fragmented pattern in the context of quilt images has been a recurring theme in my work for the last twenty-five [...]
Martha on Apr 11 2008 | Filed under: 1997, Allen, Amt, Breen, Dever, Dewey, Dustin, Feiss, Ford, Forlano, Gibson, Grove, Haunani, Hughes, Kato, Liska, MIPCES Exhibition, NPCG, Regan, Roche, Toops, Voulkos, Winters, Zinman
Elise asked me to lead a small team of volunteers to research and write about gatherings that influenced the development of polymer as an art medium. This is the first of these posts and we hope to follow up with more. Special thanks to Nancy Travers who organized all the materials about MIPCES.
Masters’ Invitational Polymer [...]
Kathleen on Mar 25 2008 | Filed under: Allen, Carlson, Dewey, Flower Valley Press, Ford, Forlano, Haunani, Hughes, Millefiore, NPCG, Ornament, Roche, Segal, Shriver, The New Clay, Toops, Torpedo Factory, Voulkos
In 1987, at the Torpedo Factory Art Center in the Washington, D.C. area, I taught my first workshop on polymer bead-making based on the simple techniques I had developed. On the advice of an artist colleague, I submitted a short article to Ornament magazine. Published in 1988, my article was entitled “The Use of Polyform [...]
Lindly on Feb 19 2008 | Filed under: Haunani, Tube Beads, Winters
This event remains crystallized in my mind like a fly in amber, and may have not been what happened at all… Elise and I had just finished constructing the first all metal tube bead cutter on her deck, when we spotted a small green inch worm making its way across the deck railing. We took [...]
Lindly on Feb 15 2008 | Filed under: Haunani, Regan, Tube Beads, Voulkos
There are times when the synchronicity of seeing a concept in “threes” propels me as an artist to experiment with and reinterpret an idea.
Margaret Regan gave me a fabulously simple and elegant rainbow tube bead necklace. Her beads were small and delicate ( 1/2″ x 1/8 “) and strung with small black glass hex beads on elastic.
I [...]
Elise on Jan 11 2008 | Filed under: 1995, Haunani, Liska, Shrinemont, Tube Beads, Winters
It seems to me that innovation in the medium of polymer often resembles our own adult version of “telephone.” One artist comes up with a great concept, something she just has to tell a colleague about. In a rush of excitement, that second person passes along the original idea, inevitably adding a personal twist or [...]
Elise on Dec 28 2007 | Filed under: 1995, Amt, Chatoyance, Dustin, Ford, Forlano, Gibson, Haunani, Hughes, International Bead Conference, Roche, Toops, Voulkos
This image, stunning for its deceptive simplicity, provides unusual insight into the development of polymer artistry. Shown are the 12 beads Pier Voulkos brought to exhibit and sell at the 1995 International Bead conference in Washington D.C. Those who know Pier’s work well will recognize that these beads both mapped her past work and forecast her future. [...]
Elise on Dec 22 2007 | Filed under: 1991, 1995, 1996, Allen, Ashcroft, Flower Valley Press, Haunani, Publications, Roche
Many acknowledge Nan Roche and her book, The New Clay, as the source and the early inspiration for the explosion of information about polymer and its growth as a medium for artistry.
But how many realize that this could never have happened without the support and vision of Seymour Bress, founder of Flower Valley Press. In [...]
Lindly on Nov 12 2007 | Filed under: 1990, Allen, Beadazzled, City Zen Cane, Dustin, Grove, Haunani, Ornament, Shriver, Voulkos
I was certainly bedazzled to see the this show at Beadazzled in Washington, DC in 1990. It was the first time I had ever seen the work of Pier Voulkos, Sarah Shriver, Grove & Grove and City Zen Cane in person.
The show was displayed in the back room of the store’s original location on Dupont [...]