Archive for the 'Roche' Category
Rachel Carren on Sep 11 2009 | Filed under: City Zen Cane, Cormier, Gibson, Haunani, Hughes, MFA Boston, Mingei Museum, Museum of Arts and Design, Newark Museum, Philadelphia Museum of Art, Racine Art Museum, Roche, Voulkos, Winters
On the wish list of the Racine Art Museum, WI
Dan Cormier, Fiji Mermaid, 2000
Using a photo portfolio that featured outstanding examples of available polymer art, Elise began to contact some of the nation’s most noted museum curators. She did hours of investigative research on specific museums, and issues relevant to the concept. She made [...]
Martha on Dec 12 2008 | Filed under: 2001, Adams, Balombini, Bernstein, Bishel, Cormier, Crossen, Dever, Dewey, Dustin, Fago, Ford, Forlano, Gibson, Haunani, Hughes, Hyde, Illuminating a Medium: Polymer Retrospective, Laurin, Maggio, McMillan, Mitchell, Muse NPCG 2001 Conference, NPCG, Regan, Roche, Scott, Shriver, Toops, Voulkos, Winters
Courting the Muse: Enhancing Creativity and Artistry in Polymer Clay
In 2001, the National Polymer Clay Guild sponsored it’s second conference in Bryn Mawr, PA. Courting The Muse was a week long conference filled with classes taught by polymer clay masters, thought-provoking and inspiring evening lectures, creativity seminars, and a retrospective exhibit entitled Illuminating a Medium, [...]
Elise Winters on Dec 05 2008 | Filed under: 1997, Allen, Breen, Kato, Liska, MIPCES Exhibition, Roche, Yamashita
Six remaining artists participated in the MIPCES exhibition. If you are a new visitor to Polymer Art Archive, you can find background about this event in the 2 posts, Past, Present Future and All About MIPCES.
Nan Roche, CUP, 2” x 3” x 2”
Martha on Apr 11 2008 | Filed under: 1997, Allen, Amt, Breen, Dever, Dewey, Dustin, Feiss, Ford, Forlano, Gibson, Grove, Haunani, Hughes, Kato, Liska, MIPCES, MIPCES Exhibition, NPCG, Regan, Roche, Toops, Voulkos, Winters, Zinman
Elise asked me to lead a small team of volunteers to research and write about gatherings that influenced the development of polymer as an art medium. This is the first of these posts and we hope to follow up with more. Special thanks to Nancy Travers who organized all the materials about MIPCES.
Masters’ Invitational Polymer [...]
Kathleen on Mar 25 2008 | Filed under: Allen, Carlson, Dewey, Flower Valley Press, Ford, Forlano, Haunani, Hughes, Millefiore, NPCG, Ornament, Roche, Segal, Shriver, The New Clay, Toops, Torpedo Factory, Voulkos
In 1987, at the Torpedo Factory Art Center in the Washington, D.C. area, I taught my first workshop on polymer bead-making based on the simple techniques I had developed. On the advice of an artist colleague, I submitted a short article to Ornament magazine. Published in 1988, my article was entitled “The Use of Polyform [...]
Elise Winters on Dec 28 2007 | Filed under: 1995, Amt, Chatoyance, Dustin, Ford, Forlano, Gibson, Haunani, Hughes, International Bead Conference, Roche, Toops, Voulkos
This image, stunning for its deceptive simplicity, provides unusual insight into the development of polymer artistry. Shown are the 12 beads Pier Voulkos brought to exhibit and sell at the 1995 International Bead conference in Washington D.C. Those who know Pier’s work well will recognize that these beads both mapped her past work and forecast her future. [...]
Elise Winters on Dec 22 2007 | Filed under: 1991, 1995, 1996, Allen, Ashcroft, Flower Valley Press, Haunani, Publications, Roche
Many acknowledge Nan Roche and her book, The New Clay, as the source and the early inspiration for the explosion of information about polymer and its growth as a medium for artistry.
But how many realize that this could never have happened without the support and vision of Seymour Bress, founder of Flower Valley Press. In [...]
Nan on Dec 22 2007 | Filed under: Flower Valley Press, Roche
On this blog I suspect there will be some kind words said about me as the person who — by hook or by crook or by waving a magic wand – cajoled some naïve publisher into printing The New Clay at a time when almost nobody in America could identify the meaning of the phrase, “polymer [...]