Archive for the 'Toops' Category

Toops and Adams at Mobilia

Dan Adams and Cynthia Toops, Sleepless in Seattle Necklace detail, 2010
glass, polymer, silver
Dan Adams and Cynthia Toops have new work in the upcoming exhibit called Glass Quake Again 2010.  The show opens on March 12th and runs thru April 24th at Mobilia Gallery in Cambridge MA.

Gone (Ice) Fishing….

Cynthia Toops, Beetlerama, 2009, neckpiece, polymer, upholstery cord
While I’m hibernating for the rest of January and February… here’s some new images to keep you amused.  These two works by Cynthia Toops are

Masters’ Book on the Horizon

Before this tax year ends, please don’t forget to make your contribution to the RAM Polymer Collection.

Cynthia Toops, Dust If You Must, 2008
Lark Books is adding to its Masters series with a new title called Masters: Polymer Clay due out in late 2010.  Currently in production, this volume will celebrate masterful artistic innovation and imagination [...]

Toops: A Closer Look at Sculpting Color

Cynthia Toops, Helmet, 2009, detail
During the panel discussion at the opening of the Sculpting Color Exhibition, Kathleen Dustin raised the question of polymer as a “green” material.  Cynthia Toops was not present that day, but her Helmet was, in a way, one more response to this current concern.
Cynthia writes about this piece saying:

M.A.D. for Polymer

City Zen Cane (aka Ford/Forlano), Flat Necklace, detail, 1991
Ursula Newman, jewelry curator at the Museum of Arts and Design in New York, selected five pieces of jewelry from The Collection for the museum’s permanent collection. Two steps were necessary to formalize her decision, and the first occurred yesterday when the curatorial staff put their stamp [...]

How do I love thee?

Debra DeWolff, Bracelet, 2007
“How do I love thee?     Let me count the ways.” *
Expressions of love are numerous and vary from culture to culture.  In many cultures, not only is holding hands a tangible connection between two people, it generally is an outward sign of affection.  Wearing a bracelet that encircles the wrist in [...]

Courting the Muse

Courting the Muse: Enhancing Creativity and Artistry in Polymer Clay
In 2001, the National Polymer Clay Guild sponsored it’s second conference in Bryn Mawr, PA.  Courting The Muse was a week long conference filled with classes taught by polymer clay masters, thought-provoking and inspiring evening lectures, creativity seminars, and a retrospective exhibit entitled Illuminating a Medium, [...]

More Than Just Beads

Cynthia Toops, Bird Watching, 2007
polymer micromosaic, 3.5″ x 3.25″
On Broadway in New York, one or two outstanding shows every year gets tabbed as a “Must-See” performance. This year the polymer community has its own “Must-See,” a book self-published by Cynthia Toops and her husband Dan Adams, beads & more, which has drawn rave reviews. [...]

How Thin Can You Go?

An important focus of this archive has been to make connections, to illuminate significant threads of development in polymer art. We’ve heard first-hand on this subject from many authoritative voices in the medium’s history – Victoria Hughes, Stephen Ford, Kathleen Dustin and the rest of our “founders.” In archiving these artistic lines, I’ve attempted [...]

MIPCES Exhibition: Cynthia Toops

ANEMONE HAT
polymer clay, brass, velvet, aluminum screen
7” diameter, 3 1/2”h
In the MIPCES catalog, Cynthia Toops wrote: “Dan and I create beads for elaborate jewelry pieces. For this project I wanted to make a full-size hat and imposed one restriction- no beads. We partially encased wire elements in polymer clay in a different way [...]