Archive for the 'Julie: Artisans Gallery' Category

Past, Present, Future

Twice in my lifetime I’ve held golden treasure in my hands, two unrecognized artistic creations that were being offered up for sale — at the price of lead or tin. Buying both of those objects altered my life and led me to where I am today.
The second purchase, a pair of polymer clay earrings in [...]

The Early Development of Polymer Clay Bead-Making: Part Two

This is Part Two of the speech delivered at Synergy: the 2008 National Polymer Clay Guild Conference held in Baltimore, Maryland in February 2008.  The entire speech will be publish in serial form in five parts on Polymer Art Archive .
The Earliest Polymer Bead-makers
Many of these American artists first became aware of the polymer brand Fimo in [...]

More Nonpareils

Coining new words is not my specialty, but the last three posts on this site seemed to demand a descriptive term for the tiny, hand formed polymer balls used by Lori, Amy, Cynthia, Pier and others. For the purpose of uniform terminology, let’s call them “nonpareils.”                         
When I asked Amy Zinman about the technical inspiration [...]

What I saw in Julie

In 1994, Julie: Artisans’ Gallery was just about the only places you could see work by accomplished polymer jewelry artists.  When Julie Shafler Dale opened her gallery in 1973, it was the very first boutique dedicated to wearable art in America.  Ten years later, she wrote the first book on Art-to-Wear. And by 1994 her [...]

Imitation, Interpretation, Inspiration

Some people pick up comic books to discover a superhero. I simply stepped into Julie Artisans’ Gallery on Madison Avenue in New York City. There, in 1994, I discovered Pier Voulkos, who has been a creative idol for me ever since. Having just discovered polymer clay, I made a mecca to Julie’s where I was [...]