Archive for the 'Organizations' Category
Martha on Dec 12 2008 | Filed under: 2001, Adams, Balombini, Bernstein, Bishel, Cormier, Crossen, Dever, Dewey, Dustin, Fago, Ford, Forlano, Gibson, Haunani, Hughes, Hyde, Illuminating a Medium: Polymer Retrospective, Laurin, Maggio, McMillan, Mitchell, Muse NPCG 2001 Conference, NPCG, Regan, Roche, Scott, Shriver, Toops, Voulkos, Winters
Courting the Muse: Enhancing Creativity and Artistry in Polymer Clay
In 2001, the National Polymer Clay Guild sponsored it’s second conference in Bryn Mawr, PA. Courting The Muse was a week long conference filled with classes taught by polymer clay masters, thought-provoking and inspiring evening lectures, creativity seminars, and a retrospective exhibit entitled Illuminating a Medium, [...]
Martha on Jun 20 2008 | Filed under: 1997, Arrowmont NPCG 1997 Conference, Ford, NPCG, Recent History, 1997 NPCG
Elise asked me to lead a small team of volunteers to research and write about gatherings that influenced the development of polymer as an art medium. This is the second of these posts and we hope to follow up with more. Special thanks to Steven Ford who provided this information about the Arrowmont Conference.
Name [...]
Martha on Apr 11 2008 | Filed under: 1997, Allen, Amt, Breen, Dever, Dewey, Dustin, Feiss, Ford, Forlano, Gibson, Grove, Haunani, Hughes, Kato, Liska, MIPCES, MIPCES Exhibition, NPCG, Regan, Roche, Toops, Voulkos, Winters, Zinman
Elise asked me to lead a small team of volunteers to research and write about gatherings that influenced the development of polymer as an art medium. This is the first of these posts and we hope to follow up with more. Special thanks to Nancy Travers who organized all the materials about MIPCES.
Masters’ Invitational Polymer [...]
Elise on Apr 08 2008 | Filed under: 1995, 1997, Julie: Artisans Gallery, MIPCES, NPCG, OCCC School of Art, Voulkos, Winters
Twice in my lifetime I’ve held golden treasure in my hands, two unrecognized artistic creations that were being offered up for sale — at the price of lead or tin. Buying both of those objects altered my life and led me to where I am today.
The second purchase, a pair of polymer clay earrings in [...]
Kathleen on Mar 25 2008 | Filed under: Allen, Carlson, Dewey, Flower Valley Press, Ford, Forlano, Haunani, Hughes, Millefiore, NPCG, Ornament, Roche, Segal, Shriver, The New Clay, Toops, Torpedo Factory, Voulkos
In 1987, at the Torpedo Factory Art Center in the Washington, D.C. area, I taught my first workshop on polymer bead-making based on the simple techniques I had developed. On the advice of an artist colleague, I submitted a short article to Ornament magazine. Published in 1988, my article was entitled “The Use of Polyform [...]
Woody on Nov 23 2007 | Filed under: Clay Factory, Pasta Machine, Segal
“One small change for man, one giant leap for an entire creative community.” Admittedly, it doesn’t have quite the ring of Neil Armstrong’s moon-landing quote, but it does mark a historic step in the development of polymer clay art.
Of all the innovations in the medium, perhaps the most consequential and defining one came from the single [...]