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Category: Exhibitons and Shows

Winters, Bishoff: A Final Look at Sculpting Color

By Rachel Carren Posted on October 23, 2009 Posted in Artist's Commentary, Exhibitons and Shows

Elise Winters, Red RUFFLE Ruche, 2009 polymer, acrylic 8 x 9 x 1″, promised gift, Newark Museum My artist’s statement read: “Concern for color and light has followed me through every phase of my artistic career.

Dustin: A Closer Look at Sculpting Color

By Rachel Carren Posted on October 16, 2009 Posted in Artist's Commentary, Exhibitons and Shows

Kathleen Dustin, Allium Pod, 2008 3’h x 3’w x 9”d Polymer clay Kathleen commented: “To fulfill it’s educational mission, The Fuller Craft Museum likes to have pieces that people can touch included in their exhibitions, and I allowed them to …

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Diffendaffer, Gozonar, McCambly: a Closer Look at Sculpting Color

By Rachel Carren Posted on October 9, 2009 Posted in Artist's Commentary, Exhibitons and Shows

Grant Diffendaffer, Cosmic Ray, 2009 Polymer clay, poplar, thread, rod, glue 3 x 12 x 6″ Grant wrote about his pieces saying: These pieces are relics of my engagement with the era of Raygun Gothic design. Come with me as …

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Dustin Speaks About Sculpting Color

By Rachel Carren Posted on October 2, 2009 Posted in Artist's Commentary, Exhibitons and Shows

Steven Ford & David Forlano, Char, 2002 Wood, polymer clay, magnets, steel, sterling silver, 21.5 x 13 x 5″ The Curator's Statement for Sculpting Color currently at the Fuller Craft Museum reads: “Unlike any other materials in fine craft, polymer …

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Dever: a Closer Look at Sculpting Color

By Rachel Carren Posted on September 18, 2009 Posted in Artist's Commentary, Exhibitons and Shows

Jeffery Lloyd Dever, Edensong Reverie, 2009 Polymer clay, wire, card stock Jeff writes about his piece: “Nature informs my aesthetics and helps me to form my visual vocabulary.  My quest is not to replicate God's finest gifts of flora and …

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