Not only has our appearance changed but the scope of this site has broadened significantly, inspired by discussions at the recent symposium, Polymer 2.0.  Read more ›

The Conference Center at Wingspread

Wingspread…………..a single word that both names the venue and describes the accomplishments of our October symposium, “Polymer 2.0: The Field at the Beginning of the 21st Century”  in Racine, Wisconsin. Three years ago we were here celebrating the fact that polymer art had become a medium of choice for entry into the permanent collections of major museums across the country. This year 67 participants celebrated another breakthrough; Read more ›

Gwen Gibson, Kabuki II Bracelet, 2002<br /> Polymer, Lazertran image transfer, gold acrylic paint

Gwen Gibson’s contribution to polymer art was deep and far reaching as an innovator, teacher and accomplished artist. Gibson was a pioneer in the evolution of surface techniques as related to polymer. Her background in painting and textile arts enabled her to apply many of the skills and techniques from those fields to her polymer work. As one of the early explorers of paint and polymer, Gibson initiated many to  the process of silk-screening. Her “tear away” etching technique enables a shadowy image transfer that can be highlighted with pigment.

An unerring sense of design and attraction to strong graphic  patterns quickly became distinctive elements of Gibson’s style.
Her aesthetic influences often derived from ancient cultures.  Ethnic and Asian motifs are often present in her work. Jewelry as well as larger objects such inro style containers and wall hung layered panels were all part of her artistic repertoire.

As a teacher and friend to many, her gentle, funny and creative spirit was a continuing inspiration.  She will be much missed.

Dan Cormier, Videojuegos Pin, 2012, 3" h x 3" w
polymer, aluminum, steel rods and pin findings

It has been a while, so here are some current “happenings” related to polymer art.

Read a synopsis of “The Broken Telephone Project” conceived and orchestrated by Dan Cormier and Tracy Holmes in the upcoming issue of Ornament magazine (vol. 36. no.4).   Cormier first presented this take on a well know communications game at the IPCG’s Synergy 3 conference in Atlanta, GA in March, 2013.  The article written by Cormier leads the reader through from conception to realization.  Eight artists participated:  Cormier, Cynthia Toops, Meredith Dittmar, Kathleen Dustin, Sarah Shriver, David Forlano, Celie Fago and Maggie Maggio.   Read more ›

Kathleen Amt, Zodiac Game, detail, 1992
polymer, cloth, paper, elastic, metal
overall opened: 11 1/4″ W x 28″ L x 1 3/4″ D
game board: 10 5/8″ W x 12 1/4″ L

While unfamiliar to many today, Kathleen Amt was a notable figure in the early years of polymer art.  During the late 1980’s and 1990’s the Washington D.C. area was an important hub of polymer discovery.  Amt was very much a part of the local polymer community, which among others also included Kathleen Dustin, Nan Roche, and Lindly Haunani.

Amt initially stumbled upon polymer.  As the director of the Arts and Crafts Center at Fort Belvoir in northern Virginia from 1980-1987, she was looking for family friendly materials when she came across the original white version of Polyform’s Sculpey.  However, it was not until she happened to meet Kathleen Dustin in the fall of 1988 that she realized its potential. Read more ›