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Author: Rachel Carren

I cannot remember a time in my life that I wasn't interested in looking at art, talking about art and the making of art. In 1990 I earned a Phd in art history at the University of Maryland. My first experiences with polymer clay were in 1992, but I consider my real work with the medium to date from 1999.

MIPCES Exhibition: Tory Hughes, Ola Nyingma

By Rachel Carren Posted on May 16, 2008 Posted in Artist's Commentary, Exhibitons and Shows

OLA NYINGMA peace-pole, prayer-wheel Approx. 14′ h In 1996, when Tory Hughes first heard rumors about Michael Grove’s Wall of Polymer, she immediately sensed a creative challenge. I remember the sly smile on her lips, the emphatic quality of her …

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MIPCES Exhibition: Ruth Anne Grove & Michael Grove

By Rachel Carren Posted on May 8, 2008 Posted in Artist's Commentary, Exhibitons and Shows

Ruth Anne Grove, WAITING TO DISAPPEAR wall mural, approx 15 feet wide We all know and can appreciate the rallying cry of the 1970’s environmental movement, “Small is Beautiful.” Many polymer artists have put that aphorism into practice. Cynthia Toops …

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Leslie Blackford’s Distinctive Voice

By Rachel Carren Posted on April 15, 2008 Posted in Artist Spotlight, Critical Commentary, Narrative Works

The first time I encountered Leslie Blackford’s inventive creations was the summer of 2007. It was decidedly different from the figurative polymer work I had seen before. From the early days of polymer clay, many artists have found the material …

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Past, Present, Future

By Rachel Carren Posted on April 8, 2008 Posted in Exhibitons and Shows, Polymer Collection Project

Twice in my lifetime I’ve held golden treasure in my hands, two unrecognized artistic creations that were being offered up for sale — at the price of lead or tin. Buying both of those objects altered my life and led …

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Flora or Fauna?

By Rachel Carren Posted on April 4, 2008 Posted in Artist's Commentary, Techniques

By the mid 1990’s Michael and Ruth Anne Grove had become masters of what was then called the “step blend”.  They used the technique not just to add shading within their cane but to create intricate texture and pattern as …

Flora or Fauna? Read more »

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