Ford/Forlano, O'Keeffe Pin polymer, sterling silver
Ford/Forlano, O'Keeffe pin, 2015, 3"h. x 3" w. x 1/5" d., polymer, sterling silver. Photo: Patina Gallery

Patina Gallery in Santa Fe has been featuring the work of Ford/Forlano this month in a special show called, “The Language of Color”.   While Ford/Forlano are long time exhibitors with Patina Gallery, this show dovetails with the city of Santa Fe’s overall focus on a “Summer of Color”.   From their earliest step-by-step color modulations as City Zen Cane to their current “painterly” applications of hue, Ford/Forlano’s distinctive use of color has always been one of the defining characteristics of their work.  The show is up for a few more days but Ford/Forlano’s work remains a staple of the extensive jewelry selection at the gallery.

On Friday, June 26, at 5:30 PM, Ford and Forlano will speak about their work at the New Mexico Museum of Art, which is hosting a slide show/ lecture titled, “Speaking in Color”. Their talk will address the evolution of their understanding and use of color as exemplified through their artwork over the past 28 years.  Ford/Forlano’s thoughtful and direct commentary on their creative work ought to make for a memorable evening. This event is also part of Santa Fe’s “Summer of Color”

Ford/Forlano have been the subject of many PAA posts.  You can start here with this list.

For more information on this successful collaborative relationship, please visit Ford/Forlano.

Robert Liu PPA cover copy[1]
Robert K. Liu, Photography of Personal Adornment

A few years ago, I began to study photography because I wanted to better understand the presentation of any given image. With the arrival of Robert Liu’s book, Photography of Personal Adornment*, my education has been greatly facilitated. These days when our attention is always at risk of being diverted, the power of a strong photograph is of greater importance than ever.

Although this book is a more serious approach than many “how to photograph your stuff” manuals, Liu carefully guides the reader toward taking more professional and striking photographs. What Liu, master photographer, artist and co-editor of the esteemed magazine, Ornament, seeks to do in this densely packed, well-illustrated volume, is explain the intentionality and concepts that anchor the art of photographing objects. His focus is on the full range of personal adornment both past and present, but the information could be applied to shooting other items such as a ceramic teapot, a wooden bench or a basket. Read more ›

shriver 3Beads3 horizontal paa copy_edited-2
Sarah Shriver, Earthy Circus Necklace-3 bead detail
2015, 24" overall, polymer, glass & brass spacers

With the coming of spring, two new gallery shows featuring polymer art will be on view.  One show is in winter-weary Philadelphia and the other one in sunny St. Petersburg, Florida, but both will present a diverse range of new pieces.

Read more ›

Judy Belcher, Knitting Missoni, 2013,  25"l overall x 5"w (max), polymer, sterling silver
Judy Belcher, Knitting Missoni, 2013, 25" overall x 2 1/2"w x 1/2"d (max bead)
polymer, sterling silver

Well versed in the realm of numbers, Judy Belcher applies mathematical thinking to her practice of art. Belcher is the author of 2 books on polymer art* and a master educator about polymer in terms of studio practice and public outreach. These accomplishments all draw upon her extensive organizational, communication and business skills. She has been a strong advocate for polymer and other crafts at both the state (West Virginia) and the national level. Belcher moves fluidly between polymer enthusiasts and the larger network of craft organizations. The value of Belcher’s business experience and her capacity to get things done cannot be underestimated.

Belcher’s hands-on practice of her own polymer art has little to do with number crunching or numerical imagery. However, much of her work relates directly or indirectly to mathematics. Read more ›

Cynthia Tinapple and Blair Davis, Red Stripped Bowl 2013, 10 1/2" diameter x 6" D, polymer on-lay, Ohio walnut
Cynthia Tinapple and Blair Davis, Red Stripped Bowl
2013, 10 1/2" diam x 6" D, polymer on-lay and Ohio Walnut

In the spring of 2014, Diane Levesque, wearing her Assistant Professor of Studio Art hat, taught the first full semester class on polymer technique at Carthage College in Kenosha, WI. This was a major development in polymer education, as polymer technique had never before been integrated into a college curriculum. In order for this to happen, Levesque wrote a proposal  advocating the value of polymer as a means to teach color theory and presented a complete curriculum, which then had to be approved by college officials. Students from the spring 2014 polymer class were enthusiastic about the class, which bodes well for future enrollment. After polymer class has been taught twice more for a total of 3 times, it will achieve a permanent position in the art department’s studio offerings.

Levesque’s initial inspiration was the Terra Nova Exhibition at the Racine Art Museum in 2011. After seeing the show Levesque became intrigued by the potential of
polymer and took it upon herself to learn more. She enrolled in a polymer workshop taught by Lindly Haunani for some “hands on” experience and attended the IPCG Synergy 3 conference in 2013. Ultimately, Haunani and Maggie Maggio’s book, Polymer Clay: Color Inspirations became the textbook for Levesque’s class.

In conjunction with the introduction of polymer into the Carthage art department class rotation, Levesque, donned her hat as the Director of the H. F. Johnson Gallery of Art at Carthage College and scheduled an exhibition of polymer art.  As the curator, Levesque invited 25 artists to send recent or significant artwork for display in a show entitled: A-Revisioning: New Works in Polymer. The exhibition opened on September 9, 2014 and ran through October 25, 2014.

Laura Tabakman, On the Trail, 2014, variable installation size, polymer, steel wire, wood

Laura Tabakman, On the Trail, 2014, variable installation size, polymer, steel wire, wood

The well-designed exhibit, installed in the white-box, on-campus gallery space, contained a wide range of works. Several stellar pieces were placed to spark attendees’ interest immediately upon entry. While these pieces might have been placed in the foreground as highlights, the depth of the show continued throughout the room.
The amount of distinctive, museum quality artwork was stunning in a show of this size and diversity. Many of  the artists sent examples of high quality jewelry art, but the most innovative work in the show was not the jewelry. Read more ›

Introduction to PAA:

Polymer Art Archive: 
This is a site where professional artists working in the medium of polymer will find inspiration. Museum and gallery curators will be able to access documentation about the evolution of this vibrant medium for artistic expression. And serious collectors will discover windows to new works and the medium’s most collectable artists.


Rachel Carren is an art historian and recognized polymer artist devoted to the advancement of polymer art.  She brings an historian’s approach to the study of polymer history.  Her distinctive artwork finds inspiration in textiles, pattern and geometry. This unique blend of credentials enables her to see, create and write from both the academic and makers’ perspective.   Additional information can be found at

Elise Winters, founder of Polymer Art Archive, is also a renowned Polymer Jewelry Designer, teacher and innovator.   Read about her achievements in the field at  Read about her advocacy on behalf of the medium on her website page, Professional Activities or in the Oct/Nov 2011 issue of American Craft magazine.