Blog Archives

Diane Levesque’s Two Hats create Dual Vision in Polymer

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Filed under: Exhibitons and Shows
Cynthia Tinapple and Blair Davis, Red Stripped Bowl 2013, 10 1/2" diameter x 6" D, polymer on-lay, Ohio walnut

In the spring of 2014, Diane Levesque, wearing her Assistant Professor of Studio Art hat, taught the first full semester class on polymer technique at Carthage College in Kenosha, WI. This was a major development in polymer education, as polymer technique had never before been integrated into a college curriculum. In order for this to happen, Levesque wrote a proposal  advocating the value of polymer as a means to teach color theory and presented a complete curriculum, which then had to be approved by college officials. Students from the spring 2014 polymer class were enthusiastic about the class, which bodes

In-Organic at the Racine Art Museum

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Filed under: Exhibitons and Shows
Maggie Maggio, Temptation, 2012 
14 x 14 x 5 inches, polymer  photo: Courtney Frisse

(in)Organic at Racine Art Museum A small gem of an exhibition, “(in)Organic” is now open at the Racine Art Museum, in Racine, Wisconsin (Oct 12, 2014-Feb 1, 2015).  Curated by Lena Vigna, the show features work by a range of artists who investigate the interrelationship of the natural world and humans.   Their varied, mixed media artwork is innovative, colorful and offers plenty of visual richness for the eye.  Artist’s concerns touch upon social, historical as well as environmental issues as they relate to nature.  Approaches include manipulating scale and materials in unexpected ways. 

Remembering Gwen Gibson

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Filed under: Artist Spotlight
gibson02-kabuki-ii

Gwen Gibson’s contribution to polymer art was deep and far reaching as an innovator, teacher and accomplished artist. Gibson was a pioneer in the evolution of surface techniques as related to polymer. Her background in painting and textile arts enabled her to apply many of the skills and techniques from those fields to her polymer work. As one of the early explorers of paint and polymer, Gibson initiated many to  the process of silk-screening. Her “tear away” etching technique enables a shadowy image transfer that can be highlighted with pigment. An unerring sense of design and attraction to strong graphic

Catching Up: Summer 2013

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Filed under: Events, Exhibitons and Shows
Cormier, Dan, Videojuegos Pin, 2012

It has been a while, so here are some current “happenings” related to polymer art. Read a synopsis of “The Broken Telephone Project” conceived and orchestrated by Dan Cormier and Tracy Holmes in the upcoming issue of Ornament magazine (vol. 36. no.4).   Cormier first presented this take on a well know communications game at the IPCG’s Synergy 3 conference in Atlanta, GA in March, 2013.  The article written by Cormier leads the reader through from conception to realization.  Eight artists participated:  Cormier, Cynthia Toops, Meredith Dittmar, Kathleen Dustin, Sarah Shriver, David Forlano, Celie Fago and Maggie Maggio.  

Seeing stars: Kathleen Amt

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Filed under: Artist Spotlight
Kathleen Amt, Zodiac Game detail

While unfamiliar to many today, Kathleen Amt was a notable figure in the early years of polymer art.  During the late 1980’s and 1990’s the Washington D.C. area was an important hub of polymer discovery.  Amt was very much a part of the local polymer community, which among others also included Kathleen Dustin, Nan Roche, and Lindly Haunani. Amt initially stumbled upon polymer.  As the director of the Arts and Crafts Center at Fort Belvoir in northern Virginia from 1980-1987, she was looking for family friendly materials when she came across the original white version of Polyform’s Sculpey.  However, it